Go to the Design Friendship home page | skip to main menu | skip to content

‘Logos’ archive

LOD – Rebrand

Thursday, November 12th, 2015

LOD Animated Brand Stop Motion Video from Design Friendship on Vimeo.

We first met Jonathan Brenner and Simon Harper, founders of LOD (Lawyers On Demand) back in 2011. At the time they were 3 years into their venture, Simon was still a partner at BLP and they had just brought on their first member of staff.

It’s not often that you hear the word ‘innovation’ associated with the legal industry, but in our initial conversations it became clear that innovation played a key role in Jonathan and Simon’s vision and of course the brand’s DNA.

LOD_Logo_Wall

In late 2014, seven years after the launch of Lawyers On Demand, LOD had successfully disrupted the legal landscape and carved out a new approach to practising law in the UK and beyond.

For several years there had been numerous discussions about the future of the brand, as Lawyers On Demand was now commonly referred to as LOD both by the internal teams and by its external clients. It was felt that LOD was a far better fit for the brand moving forward.

LOD_Logo

The new LOD mark (above) was chosen for it’s bold, iconic, symmetry that focused on the capitalised initials of the original brand name. Aesthetically we centred the mark around a customised letter ‘O’ to form two brackets which are widely use throughout the legal profession. The two halves of the ‘O’ icon represent the central role LOD plays in bringing two parties together… Lawyer & Client.

LOD_Icon_Grid

LOD_Grid_Dev

As we explored how the various branding elements would work together we began experimenting with different layout grids.

The idea was to marry the interconnecting lines of the Icon and grid system with the geometric blocks they created, resulting in an adaptable alphabet of unique shapes, patterns and graphics. This concept was a perfect way to show the creative and innovative nature of the LOD approach, the varied personalities and skill sets of the LOD lawyers, and the structured landscape of law.

We extended the grid system concept to the whole LOD mark as shown above, flat graphics and intersecting lines create personality, tactile shapes result in a rich, varied and exciting visual brand language.

LOD_Block_Grid

LOD_Logo_Knockout_Blocks

LOD_Image_Bank

One hundred individually hand cut blocks were crafted to form the next chapter of the LOD brand identity. After experimenting with materials in the prototype stage it was decided that the natural finish of red cedar wood, set against the brands existing grey background, struck the right balance between the previous identity and the potential of the new.

The individually shaped pieces represent the diverse roster of highly motivated and experienced freelance lawyers LOD offers to its growing client base.

LOD_LawFirm_Webpage

LOD_Mobile

LOD rebranded website, mobile & social media look & feel

LOD_Stationery_LR

LOD_Postcards_LR

LOD brand stationery & collateral

LOD_Press_Ad_2015_LR

LOD_Recruit_Ad_LR

LOD brand press advertising

“At LOD we wanted to put good visual design at the heart of a new type of legal service. It has been a crucial part of our growth and for more than 3 years, Design Friendship have been great partners in developing our business vision from a design perspective”.

– Simon Harper, LOD Co-Founder

If you have a project that you’d like to discuss with Design Friendship please email us at: hello@designfriendship.com

Brompton Food Market – Branding

Wednesday, November 19th, 2014

BFM_Logo_Masthead

When David Turcan and Luke Mackay popped into the Design Friendship studio for a quick chat, they were both on the verge of quitting their day jobs to embark on turning their dreams into a reality. The branding brief for their new venture Brompton Food Market was simply…

“We want to create the perfect food shop that we have long been looking for in London but never quite found. A haven for food lovers with a heady mix of top quality produce, immaculate service and style.”

“We see ourselves as an old fashioned grocers where nothing is too much trouble and the experience is as important as the quality of our produce.”

Our direction was to create a brand inspired by a bygone age, fused with a clean and contemporary aesthetic.

BFM_Shop_Front_P1050572_LR

We created an identity inspired by South Kensington’s love affair with classic Georgian geometric mosiac styling. The shop masthead was based upon a traditional signwriting layout, the font Kessel was chosen for its Art Deco look and feel, which also has strong aesthetic ties to London’s Brompton Road area.

BFM_Shop_Front_P1050630_LR

BFM_Shop_Branding_LR

BFM_Bike_Sign_P1050564_LR

BFM_A_Board_P1050580_LR

BFM_Window_P1050634_LR

MA_BFM_016_RGB_LR

BFM_Collateral_P1050672_Cropped_LR

BFM Website

Website

15-inch Apple MacBook Pro

Mobile

BFM_Brand_AD_1_LR

Brand photography & art direction

BFM_Brand_AD_3_LR

We hope you like what you see! If you would like to find out more or you’re interested in working Design Friendship please feel free to drop us a line at hello@designfriendship.com

Enjoy!

Odette Toilette

Thursday, August 22nd, 2013

We’ve been meaning to share some new work with you all for a while know, but getting around to actually doing it has been easy said than done!

Odette_Logo

First off is Odette Toilette, the perfume lover behind Scratch+Sniff events. Under the banner of providing olfactory adventures for both perfume experts and those new to fragrance alike, her events offer unusual ways of discovering the world of scent. From collaborations with the wine industry to fragranced tours of the Tate’s Pre-Raphaelite exhibition, cake-fuelled Vintage scent afternoons and a creative exchange between perfumers and writers, the world of Odette has fast become the place to go for new experiences with smell.

Odette2

We’ve been lucky enough to attend a few of Odette’s events in the Bookclub and have always had a really great and interesting time. Check out Odette’s Scratch+Sniff events page for your chance to take a look (and smell) at fragrance in a different way.

Odette3

We designed Odette Toilette’s identity and stationery as well as the pot pourri Odette launched in collaboration with horticulturalist, Stephen Nelson.

Blend #1 of Odette Toilette’s Pot Pourri is limited to 250 pots. Each pot contains over two litres of rose petals, macerated until heady. This heart is surrounded by aromatics including lemon verbena, mint, Russian coriander, bay, sweet marjoram and cured lemon peel. Resins of benzoin, storax and tonka bean bring warmth and comfort.

The pot pourri’s midnight-black clay pot was hand-made in an artisinal pottery near York. Each pot is £45 (+p&p) and available to buy via the Odette Toilette website.

Blend #2 will follow soon – so watch this space.

Odette4

Counter-Print

Friday, December 16th, 2011

Seeing as its the season of good will i’m sharing an excellent site I found the other day. If you haven’t already heard of Counter-Print then head on over and check it out. They specialise in finding out of print and hard to find design books, magazines and posters. An excellent resource for any designer, be careful though this site is addictive!

Heart at first sight

Sunday, October 9th, 2011

What more can be said about Milton Glaser’s ‘I Heart NY’ identity that already hasn’t been said? Well for starters it’s one of DF’s favourite identities ever, for obvious reasons, and if that’s not a good enough reason to write a little post about it then we don’t know what is?

We’ve always thought logo design is at it’s very best when the clients brief is executed in it’s most simplistic and true form with a little twist. Think about it, all the classic marks that grace the logo hall of fame have this very unique quality for example Fedex, the Woolmark, British Rail and Nike’s Swoosh to name but a few. Glaser’s ‘I heart NY’ is definitely up there in our opinion, but what is interesting to find out is that this iconic logo almost never was.

Above is the original sketch Glaser did on an envelope in the back of the NY taxi after having second thoughts and somewhat of a eureka moment and below is the old school cut and paste layout sheet, both of which are now on permanent display at MOMA New York.

As with most iconic logo and creator back stories Milton Glaser didn’t get a cent for his creation back in 1977 which now generates over $30 million a year for the State of New York! Glazer has been quoted as saying “he did it for free, as a gift to New York” in a time when the city needed all the help it could get.

Back in 1977 New York was bankrupt, had rolling black outs and was in the grip of the highest crime levels the city had ever seen. The State needed tourism to help generate income for the city but New York had so much bad press at the time the tourists were staying away. New York State’s department for economic development commissioned the Madison Avenue advertising agency, Wells Rich Greene, to create a campaign that would help combat this. At the time New York’s big selling point was Broadway, and the agency came up with the slogan (“I Love New York”), in the shape of a jingle by the composer Steve Karmen and a television commercial featuring the stars of broadway. But they still needed a logo — and that’s where Glaser came in.

As you’ll see from the above clip a lot has changed but the one thing that’s stood the test of time is Glaser’s simple, iconic logo which we heart a lot.

40 years on and still got it

Tuesday, June 28th, 2011

So I was trawling the t’interweb and discovered that the Nike Swoosh hit the big 40 on Saturday and anybody who knows me knows I love my Nike.

Designed in 1971 by graphic design student Carolyn Davidson for a mere $35, we think our budgets are tight, the Nike swoosh has become one of the most recognisable brand logos of all time and one of my particular favourites!

Davidson originally designed the logo while studying graphic design as a student at Portland State University, where a certain Phil Knight happened to be teaching an accounting class. Fate had a hand in their chance meeting were Knight asked Davidson if she’d do some design work for what was then Blue Ribbon Sports. Eventually Davidson was given the task of coming up with a mark for Knight’s new venture which would later be named Nike, after the Greek goddess of victory.

The rest is graphical history but 40 years on I think it’s definitely worth celebrating!