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‘Graphic Design’ archive

LOD – Rebrand

Thursday, November 12th, 2015

LOD Animated Brand Stop Motion Video from Design Friendship on Vimeo.

We first met Jonathan Brenner and Simon Harper, founders of LOD (Lawyers On Demand) back in 2011. At the time they were 3 years into their venture, Simon was still a partner at BLP and they had just brought on their first member of staff.

It’s not often that you hear the word ‘innovation’ associated with the legal industry, but in our initial conversations it became clear that innovation played a key role in Jonathan and Simon’s vision and of course the brand’s DNA.

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In late 2014, seven years after the launch of Lawyers On Demand, LOD had successfully disrupted the legal landscape and carved out a new approach to practising law in the UK and beyond.

For several years there had been numerous discussions about the future of the brand, as Lawyers On Demand was now commonly referred to as LOD both by the internal teams and by its external clients. It was felt that LOD was a far better fit for the brand moving forward.

LOD_Logo

The new LOD mark (above) was chosen for it’s bold, iconic, symmetry that focused on the capitalised initials of the original brand name. Aesthetically we centred the mark around a customised letter ‘O’ to form two brackets which are widely use throughout the legal profession. The two halves of the ‘O’ icon represent the central role LOD plays in bringing two parties together… Lawyer & Client.

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As we explored how the various branding elements would work together we began experimenting with different layout grids.

The idea was to marry the interconnecting lines of the Icon and grid system with the geometric blocks they created, resulting in an adaptable alphabet of unique shapes, patterns and graphics. This concept was a perfect way to show the creative and innovative nature of the LOD approach, the varied personalities and skill sets of the LOD lawyers, and the structured landscape of law.

We extended the grid system concept to the whole LOD mark as shown above, flat graphics and intersecting lines create personality, tactile shapes result in a rich, varied and exciting visual brand language.

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One hundred individually hand cut blocks were crafted to form the next chapter of the LOD brand identity. After experimenting with materials in the prototype stage it was decided that the natural finish of red cedar wood, set against the brands existing grey background, struck the right balance between the previous identity and the potential of the new.

The individually shaped pieces represent the diverse roster of highly motivated and experienced freelance lawyers LOD offers to its growing client base.

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LOD rebranded website, mobile & social media look & feel

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LOD brand stationery & collateral

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LOD brand press advertising

“At LOD we wanted to put good visual design at the heart of a new type of legal service. It has been a crucial part of our growth and for more than 3 years, Design Friendship have been great partners in developing our business vision from a design perspective”.

– Simon Harper, LOD Co-Founder

If you have a project that you’d like to discuss with Design Friendship please email us at: hello@designfriendship.com

Glaser’s Stencil goes digital!

Tuesday, April 14th, 2015

Way back in 2011 we posted our love for Milton Glaser’s ‘I Heart NY’ branding’ see the post here if you didn’t catch it.

I Heart NY Logo

So it was really great to hear from Alex Haigh, Founder & Creative Director of HypeForType, who read our post way back when and thought we’d be interested in a typographic gem they’ve been cooking up from the great man’s archive!

A hugely respectful nod has to go to Mr Glaser for the original design, the HypeForType team and last but no means least Rick Banks of Face37, who’s obviously lovingly poured his heart into this project! Below is the lowdown of what is coming to a font folder need you, we can’t wait to get our hands on it!!!

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You’ll certainly be familiar with Milton Glaser’s most famous piece of work – he designed the iconic ‘I Heart New York’ logo back in 1977, a piece of urban symbolism that has yet to lose its charm – but his design legacy doesn’t stop there.

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In 1967 ‘Glaser Stencil’ – a font designed to mimic and improve upon the traditional letter stencilling that had a popularity boom in the 40s and 50s – made its first appearance on a billing poster at Carnegie Hall.

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Since then, Glaser’s bespoke typeface has become a quintessential piece of American design. The instantly recognisable stamp of Glaser Stencil has appeared on everything from early video game consoles to the set design for Lars von Trier’s Dogville in 2003.

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Dogville

The font was of course computerised for the tech revolution, bringing its timeless look to a new generation. However the rest of the Glaser Stencil font family – a further four variations on Glaser’s stylish original – have been gathering dust in the design archives until now.

Teaming up with renowned British designer Rick Banks, founder of Face37 design house, the complete family of Glaser Stencil will soon be made available to the digital age for the first time. For typographers and designers everywhere it’s a special moment, not least of all for Banks himself:

‘I’ve loved Glaser Stencil and all its weights since I first got into graphic design. It’s been a real honour and privilege working with Milton to bring the whole family back to life.’

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The UK type foundry HypeForType are launching the family exclusively, and this can be purchase from the following link.

It’s rare that a designer achieves such longevity and recognition, but Glaser has managed it, with documentaries made about his life and a lasting influenced that can be traced through four decades of typography. The full revival of Glaser Stencil is the next step in that journey.

‘It’s amazing to see a typeface that I designed back in the 1960s so carefully revived with attention to detail from Face37 and HypeForType,’ said Glaser of this design renaissance. ‘It’s like seeing a child reborn.’

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Brompton Food Market – Branding

Wednesday, November 19th, 2014

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When David Turcan and Luke Mackay popped into the Design Friendship studio for a quick chat, they were both on the verge of quitting their day jobs to embark on turning their dreams into a reality. The branding brief for their new venture Brompton Food Market was simply…

“We want to create the perfect food shop that we have long been looking for in London but never quite found. A haven for food lovers with a heady mix of top quality produce, immaculate service and style.”

“We see ourselves as an old fashioned grocers where nothing is too much trouble and the experience is as important as the quality of our produce.”

Our direction was to create a brand inspired by a bygone age, fused with a clean and contemporary aesthetic.

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We created an identity inspired by South Kensington’s love affair with classic Georgian geometric mosiac styling. The shop masthead was based upon a traditional signwriting layout, the font Kessel was chosen for its Art Deco look and feel, which also has strong aesthetic ties to London’s Brompton Road area.

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BFM Website

Website

15-inch Apple MacBook Pro

Mobile

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Brand photography & art direction

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We hope you like what you see! If you would like to find out more or you’re interested in working Design Friendship please feel free to drop us a line at hello@designfriendship.com

Enjoy!